Pierre well knew this large room divided by columns and an arch, its
walls hung round with Persian carpets. The part of the room behind the
columns, with a high silk-curtained mahogany bedstead on one side and
on the other an immense case containing icons, was brightly illuminated
with red light like a Russian church during evening service. Under
the gleaming icons stood a long invalid chair, and in that chair
on snowy-white smooth pillows, evidently freshly changed, Pierre
saw - covered to the waist by a bright green quilt - the familiar,
majestic figure of his father, Count Bezukhov, with that gray mane of
hair above his broad forehead which reminded one of a lion, and the deep
characteristically noble wrinkles of his handsome, ruddy face. He lay
just under the icons; his large thick hands outside the quilt. Into the
right hand, which was lying palm downwards, a wax taper had been thrust
between forefinger and thumb, and an old servant, bending over from
behind the chair, held it in position. By the chair stood the priests,
their long hair falling over their magnificent glittering vestments,
with lighted tapers in their hands, slowly and solemnly conducting the
service. A little behind them stood the two younger princesses holding
handkerchiefs to their eyes, and just in front of them their eldest
sister, Catiche, with a vicious and determined look steadily fixed on
the icons, as though declaring to all that she could not answer for
herself should she glance round. Anna Mikhaylovna, with a meek,
sorrowful, and all-forgiving expression on her face, stood by the door
near the strange lady. Prince Vasili in front of the door, near the
invalid chair, a wax taper in his left hand, was leaning his left arm on
the carved back of a velvet chair he had turned round for the purpose,
and was crossing himself with his right hand, turning his eyes upward
each time he touched his forehead. His face wore a calm look of piety
and resignation to the will of God. "If you do not understand these
sentiments," he seemed to be saying, "so much the worse for you!"
Behind him stood the aide-de-camp, the doctors, and the menservants;
the men and women had separated as in church. All were silently crossing
themselves, and the reading of the church service, the subdued chanting
of deep bass voices, and in the intervals sighs and the shuffling of
feet were the only sounds that could be heard. Anna Mikhaylovna, with
an air of importance that showed that she felt she quite knew what she
was about, went across the room to where Pierre was standing and gave
him a taper. He lit it and, distracted by observing those around him,
began crossing himself with the hand that held the taper.
Sophie, the rosy, laughter-loving, youngest princess with the mole,
watched him. She smiled, hid her face in her handkerchief, and remained
with it hidden for awhile; then looking up and seeing Pierre she
again began to laugh. She evidently felt unable to look at him
without laughing, but could not resist looking at him: so to be out of
temptation she slipped quietly behind one of the columns. In the midst
of the service the voices of the priests suddenly ceased, they whispered
to one another, and the old servant who was holding the count’s hand
got up and said something to the ladies. Anna Mikhaylovna stepped
forward and, stooping over the dying man, beckoned to Lorrain from
behind her back. The French doctor held no taper; he was leaning
against one of the columns in a respectful attitude implying that he,
a foreigner, in spite of all differences of faith, understood the full
importance of the rite now being performed and even approved of it. He
now approached the sick man with the noiseless step of one in full vigor
of life, with his delicate white fingers raised from the green quilt the
hand that was free, and turning sideways felt the pulse and reflected
a moment. The sick man was given something to drink, there was a
stir around him, then the people resumed their places and the service
continued. During this interval Pierre noticed that Prince Vasili
left the chair on which he had been leaning, and - with an air
which intimated that he knew what he was about and if others did not
understand him it was so much the worse for them - did not go up to the
dying man, but passed by him, joined the eldest princess, and moved
with her to the side of the room where stood the high bedstead with its
silken hangings. On leaving the bed both Prince Vasili and the princess
passed out by a back door, but returned to their places one after the
other before the service was concluded. Pierre paid no more attention
to this occurrence than to the rest of what went on, having made up his
mind once for all that what he saw happening around him that evening was
in some way essential.
The chanting of the service ceased, and the voice of the priest was
heard respectfully congratulating the dying man on having received the
sacrament. The dying man lay as lifeless and immovable as before. Around
him everyone began to stir: steps were audible and whispers, among which
Anna Mikhaylovna’s was the most distinct.
Pierre heard her say:
"Certainly he must be moved onto the bed; here it will be
impossible..."
The sick man was so surrounded by doctors, princesses, and servants
that Pierre could no longer see the reddish-yellow face with its gray
mane - which, though he saw other faces as well, he had not lost sight
of for a single moment during the whole service. He judged by the
cautious movements of those who crowded round the invalid chair that
they had lifted the dying man and were moving him.
"Catch hold of my arm or you’ll drop him!" he heard one of the
servants say in a frightened whisper. "Catch hold from underneath.
Here!" exclaimed different voices; and the heavy breathing of the
bearers and the shuffling of their feet grew more hurried, as if the
weight they were carrying were too much for them.
As the bearers, among whom was Anna Mikhaylovna, passed the young man
he caught a momentary glimpse between their heads and backs of the dying
man’s high, stout, uncovered chest and powerful shoulders, raised by
those who were holding him under the armpits, and of his gray, curly,
leonine head. This head, with its remarkably broad brow and cheekbones,
its handsome, sensual mouth, and its cold, majestic expression, was
not disfigured by the approach of death. It was the same as Pierre
remembered it three months before, when the count had sent him to
Petersburg. But now this head was swaying helplessly with the uneven
movements of the bearers, and the cold listless gaze fixed itself upon
nothing.
After a few minutes’ bustle beside the high bedstead, those who had
carried the sick man dispersed. Anna Mikhaylovna touched Pierre’s
hand and said, "Come." Pierre went with her to the bed on which the
sick man had been laid in a stately pose in keeping with the ceremony
just completed. He lay with his head propped high on the pillows. His
hands were symmetrically placed on the green silk quilt, the palms
downward. When Pierre came up the count was gazing straight at him, but
with a look the significance of which could not be understood by mortal
man. Either this look meant nothing but that as long as one has eyes
they must look somewhere, or it meant too much. Pierre hesitated,
not knowing what to do, and glanced inquiringly at his guide. Anna
Mikhaylovna made a hurried sign with her eyes, glancing at the sick
man’s hand and moving her lips as if to send it a kiss. Pierre,
carefully stretching his neck so as not to touch the quilt, followed her
suggestion and pressed his lips to the large boned, fleshy hand. Neither
the hand nor a single muscle of the count’s face stirred. Once more
Pierre looked questioningly at Anna Mikhaylovna to see what he was to
do next. Anna Mikhaylovna with her eyes indicated a chair that stood
beside the bed. Pierre obediently sat down, his eyes asking if he were
doing right. Anna Mikhaylovna nodded approvingly. Again Pierre fell
into the naïvely symmetrical pose of an Egyptian statue, evidently
distressed that his stout and clumsy body took up so much room and doing
his utmost to look as small as possible. He looked at the count, who
still gazed at the spot where Pierre’s face had been before he sat
down. Anna Mikhaylovna indicated by her attitude her consciousness of
the pathetic importance of these last moments of meeting between the
father and son. This lasted about two minutes, which to Pierre seemed an
hour. Suddenly the broad muscles and lines of the count’s face began
to twitch. The twitching increased, the handsome mouth was drawn to one
side (only now did Pierre realize how near death his father was), and
from that distorted mouth issued an indistinct, hoarse sound. Anna
Mikhaylovna looked attentively at the sick man’s eyes, trying to
guess what he wanted; she pointed first to Pierre, then to some drink,
then named Prince Vasili in an inquiring whisper, then pointed to the
quilt. The eyes and face of the sick man showed impatience. He made an
effort to look at the servant who stood constantly at the head of the
bed.
"Wants to turn on the other side," whispered the servant, and got up
to turn the count’s heavy body toward the wall.
Pierre rose to help him.
While the count was being turned over, one of his arms fell back
helplessly and he made a fruitless effort to pull it forward. Whether he
noticed the look of terror with which Pierre regarded that lifeless arm,
or whether some other thought flitted across his dying brain, at any
rate he glanced at the refractory arm, at Pierre’s terror-stricken
face, and again at the arm, and on his face a feeble, piteous smile
appeared, quite out of keeping with his features, that seemed to deride
his own helplessness. At sight of this smile Pierre felt an unexpected
quivering in his breast and a tickling in his nose, and tears dimmed his
eyes. The sick man was turned on to his side with his face to the wall.
He sighed.
"He is dozing," said Anna Mikhaylovna, observing that one of the
princesses was coming to take her turn at watching. "Let us go."
Pierre went out.
CHAPTER XXIV
There was now no one in the reception room except Prince Vasili and the
eldest princess, who were sitting under the portrait of Catherine the
Great and talking eagerly. As soon as they saw Pierre and his companion
they became silent, and Pierre thought he saw the princess hide
something as she whispered:
"I can’t bear the sight of that woman."
"Catiche has had tea served in the small drawing room," said Prince
Vasili to Anna Mikhaylovna. "Go and take something, my poor Anna
Mikhaylovna, or you will not hold out."
To Pierre he said nothing, merely giving his arm a sympathetic squeeze
below the shoulder. Pierre went with Anna Mikhaylovna into the small
drawing room.
"There is nothing so refreshing after a sleepless night as a cup
of this delicious Russian tea," Lorrain was saying with an air of
restrained animation as he stood sipping tea from a delicate Chinese
handleless cup before a table on which tea and a cold supper were laid
in the small circular room. Around the table all who were at Count
Bezukhov’s house that night had gathered to fortify themselves.
Pierre well remembered this small circular drawing room with its mirrors
and little tables. During balls given at the house Pierre, who did not
know how to dance, had liked sitting in this room to watch the ladies
who, as they passed through in their ball dresses with diamonds and
pearls on their bare shoulders, looked at themselves in the brilliantly
lighted mirrors which repeated their reflections several times. Now
this same room was dimly lighted by two candles. On one small table tea
things and supper dishes stood in disorder, and in the middle of the
night a motley throng of people sat there, not merrymaking, but somberly
whispering, and betraying by every word and movement that they none
of them forgot what was happening and what was about to happen in the
bedroom. Pierre did not eat anything though he would very much have
liked to. He looked inquiringly at his monitress and saw that she was
again going on tiptoe to the reception room where they had left Prince
Vasili and the eldest princess. Pierre concluded that this also was
essential, and after a short interval followed her. Anna Mikhaylovna
was standing beside the princess, and they were both speaking in excited
whispers.
"Permit me, Princess, to know what is necessary and what is not
necessary," said the younger of the two speakers, evidently in the
same state of excitement as when she had slammed the door of her room.
"But, my dear princess," answered Anna Mikhaylovna blandly but
impressively, blocking the way to the bedroom and preventing the other
from passing, "won’t this be too much for poor Uncle at a moment
when he needs repose? Worldly conversation at a moment when his soul is
already prepared..."
Prince Vasili was seated in an easy chair in his familiar attitude,
with one leg crossed high above the other. His cheeks, which were so
flabby that they looked heavier below, were twitching violently; but
he wore the air of a man little concerned in what the two ladies were
saying.
"Come, my dear Anna Mikhaylovna, let Catiche do as she pleases. You
know how fond the count is of her."
"I don’t even know what is in this paper," said the younger of
the two ladies, addressing Prince Vasili and pointing to an inlaid
portfolio she held in her hand. "All I know is that his real will is
in his writing table, and this is a paper he has forgotten...."
She tried to pass Anna Mikhaylovna, but the latter sprang so as to bar
her path.
"I know, my dear, kind princess," said Anna Mikhaylovna, seizing
the portfolio so firmly that it was plain she would not let go easily.
"Dear princess, I beg and implore you, have some pity on him! Je vous
en conjure..."
The princess did not reply. Their efforts in the struggle for the
portfolio were the only sounds audible, but it was evident that if
the princess did speak, her words would not be flattering to Anna
Mikhaylovna. Though the latter held on tenaciously, her voice lost none
of its honeyed firmness and softness.
"Pierre, my dear, come here. I think he will not be out of place in a
family consultation; is it not so, Prince?"
"Why don’t you speak, cousin?" suddenly shrieked the princess so
loud that those in the drawing room heard her and were startled. "Why
do you remain silent when heaven knows who permits herself to
interfere, making a scene on the very threshold of a dying man’s room?
Intriguer!" she hissed viciously, and tugged with all her might at the
portfolio.
But Anna Mikhaylovna went forward a step or two to keep her hold on the
portfolio, and changed her grip.
Prince Vasili rose. "Oh!" said he with reproach and surprise,
"this is absurd! Come, let go I tell you."
The princess let go.
"And you too!"
But Anna Mikhaylovna did not obey him.
"Let go, I tell you! I will take the responsibility. I myself will go
and ask him, I!... does that satisfy you?"
"But, Prince," said Anna Mikhaylovna, "after such a solemn
sacrament, allow him a moment’s peace! Here, Pierre, tell them your
opinion," said she, turning to the young man who, having come quite
close, was gazing with astonishment at the angry face of the princess
which had lost all dignity, and at the twitching cheeks of Prince
Vasili.
"Remember that you will answer for the consequences," said Prince
Vasili severely. "You don’t know what you are doing."
"Vile woman!" shouted the princess, darting unexpectedly at Anna
Mikhaylovna and snatching the portfolio from her.
Prince Vasili bent his head and spread out his hands.
At this moment that terrible door, which Pierre had watched so long
and which had always opened so quietly, burst noisily open and banged
against the wall, and the second of the three sisters rushed out
wringing her hands.
"What are you doing!" she cried vehemently. "He is dying and you
leave me alone with him!"
Her sister dropped the portfolio. Anna Mikhaylovna, stooping, quickly
caught up the object of contention and ran into the bedroom. The eldest
princess and Prince Vasili, recovering themselves, followed her. A few
minutes later the eldest sister came out with a pale hard face, again
biting her underlip. At sight of Pierre her expression showed an
irrepressible hatred.
"Yes, now you may be glad!" said she; "this is what you have
been waiting for." And bursting into tears she hid her face in her
handkerchief and rushed from the room.
Prince Vasili came next. He staggered to the sofa on which Pierre was
sitting and dropped onto it, covering his face with his hand. Pierre
noticed that he was pale and that his jaw quivered and shook as if in an
ague.
"Ah, my friend!" said he, taking Pierre by the elbow; and there was
in his voice a sincerity and weakness Pierre had never observed in it
before. "How often we sin, how much we deceive, and all for what? I am
near sixty, dear friend... I too... All will end in death, all! Death is
awful..." and he burst into tears.
Anna Mikhaylovna came out last. She approached Pierre with slow, quiet
steps.
"Pierre!" she said.
Pierre gave her an inquiring look. She kissed the young man on his
forehead, wetting him with her tears. Then after a pause she said:
"He is no more...."
Pierre looked at her over his spectacles.
"Come, I will go with you. Try to weep, nothing gives such relief as
tears."
She led him into the dark drawing room and Pierre was glad no one could
see his face. Anna Mikhaylovna left him, and when she returned he was
fast asleep with his head on his arm.
In the morning Anna Mikhaylovna said to Pierre:
"Yes, my dear, this is a great loss for us all, not to speak of you.
But God will support you: you are young, and are now, I hope, in command
of an immense fortune. The will has not yet been opened. I know you
well enough to be sure that this will not turn your head, but it imposes
duties on you, and you must be a man."
Pierre was silent.
"Perhaps later on I may tell you, my dear boy, that if I had not been
there, God only knows what would have happened! You know, Uncle promised
me only the day before yesterday not to forget Boris. But he had
no time. I hope, my dear friend, you will carry out your father’s
wish?"
Pierre understood nothing of all this and coloring shyly looked in
silence at Princess Anna Mikhaylovna. After her talk with Pierre, Anna
Mikhaylovna returned to the Rostovs’ and went to bed. On waking in
the morning she told the Rostovs and all her acquaintances the details
of Count Bezukhov’s death. She said the count had died as she would
herself wish to die, that his end was not only touching but edifying. As
to the last meeting between father and son, it was so touching that she
could not think of it without tears, and did not know which had behaved
better during those awful moments - the father who so remembered
everything and everybody at last and had spoken such pathetic words to
the son, or Pierre, whom it had been pitiful to see, so stricken was he
with grief, though he tried hard to hide it in order not to sadden his
dying father. "It is painful, but it does one good. It uplifts the
soul to see such men as the old count and his worthy son," said she.
Of the behavior of the eldest princess and Prince Vasili she spoke
disapprovingly, but in whispers and as a great secret.
CHAPTER XXV
At Bald Hills, Prince Nicholas Andreevich Bolkonski’s estate, the
arrival of young Prince Andrew and his wife was daily expected, but
this expectation did not upset the regular routine of life in the old
prince’s household. General in Chief Prince Nicholas Andreevich
(nicknamed in society, "the King of Prussia") ever since the Emperor
Paul had exiled him to his country estate had lived there continuously
with his daughter, Princess Mary, and her companion, Mademoiselle
Bourienne. Though in the new reign he was free to return to the
capitals, he still continued to live in the country, remarking that
anyone who wanted to see him could come the hundred miles from Moscow to
Bald Hills, while he himself needed no one and nothing. He used to
say that there are only two sources of human vice - idleness and
superstition, and only two virtues - activity and intelligence. He
himself undertook his daughter’s education, and to develop these two
cardinal virtues in her gave her lessons in algebra and geometry
till she was twenty, and arranged her life so that her whole time was
occupied. He was himself always occupied: writing his memoirs, solving
problems in higher mathematics, turning snuffboxes on a lathe, working
in the garden, or superintending the building that was always going on
at his estate. As regularity is a prime condition facilitating activity,
regularity in his household was carried to the highest point of
exactitude. He always came to table under precisely the same conditions,
and not only at the same hour but at the same minute. With those about
him, from his daughter to his serfs, the prince was sharp and invariably
exacting, so that without being a hardhearted man he inspired such fear
and respect as few hardhearted men would have aroused. Although he was
in retirement and had now no influence in political affairs, every high
official appointed to the province in which the prince’s estate lay
considered it his duty to visit him and waited in the lofty antechamber
just as the architect, gardener, or Princess Mary did, till the prince
appeared punctually to the appointed hour. Everyone sitting in this
antechamber experienced the same feeling of respect and even fear when
the enormously high study door opened and showed the figure of a rather
small old man, with powdered wig, small withered hands, and bushy gray
eyebrows which, when he frowned, sometimes hid the gleam of his shrewd,
youthfully glittering eyes.
On the morning of the day that the young couple were to arrive, Princess
Mary entered the antechamber as usual at the time appointed for the
morning greeting, crossing herself with trepidation and repeating a
silent prayer. Every morning she came in like that, and every morning
prayed that the daily interview might pass off well.
An old powdered manservant who was sitting in the antechamber rose
quietly and said in a whisper: "Please walk in."
Through the door came the regular hum of a lathe. The princess timidly
opened the door which moved noiselessly and easily. She paused at the
entrance. The prince was working at the lathe and after glancing round
continued his work.
The enormous study was full of things evidently in constant use.
The large table covered with books and plans, the tall glass-fronted
bookcases with keys in the locks, the high desk for writing while
standing up, on which lay an open exercise book, and the lathe with
tools laid ready to hand and shavings scattered around - all indicated
continuous, varied, and orderly activity. The motion of the small foot
shod in a Tartar boot embroidered with silver, and the firm pressure
of the lean sinewy hand, showed that the prince still possessed the
tenacious endurance and vigor of hardy old age. After a few more turns
of the lathe he removed his foot from the pedal, wiped his chisel,
dropped it into a leather pouch attached to the lathe, and, approaching
the table, summoned his daughter. He never gave his children a blessing,
so he simply held out his bristly cheek (as yet unshaven) and, regarding
her tenderly and attentively, said severely:
"Quite well? All right then, sit down." He took the exercise book
containing lessons in geometry written by himself and drew up a chair
with his foot.
"For tomorrow!" said he, quickly finding the page and making a
scratch from one paragraph to another with his hard nail.
The princess bent over the exercise book on the table.
"Wait a bit, here’s a letter for you," said the old man suddenly,
taking a letter addressed in a woman’s hand from a bag hanging above
the table, onto which he threw it.
At the sight of the letter red patches showed themselves on the
princess’ face. She took it quickly and bent her head over it.
"From Heloïse?" asked the prince with a cold smile that showed his
still sound, yellowish teeth.
"Yes, it’s from Julie," replied the princess with a timid glance
and a timid smile.
"I’ll let two more letters pass, but the third I’ll read," said
the prince sternly; "I’m afraid you write much nonsense. I’ll read
the third!"
"Read this if you like, Father," said the princess, blushing still
more and holding out the letter.
"The third, I said the third!" cried the prince abruptly, pushing
the letter away, and leaning his elbows on the table he drew toward him
the exercise book containing geometrical figures.
"Well, madam," he began, stooping over the book close to his
daughter and placing an arm on the back of the chair on which she sat,
so that she felt herself surrounded on all sides by the acrid scent of
old age and tobacco, which she had known so long. "Now, madam, these
triangles are equal; please note that the angle ABC..."
The princess looked in a scared way at her father’s eyes glittering
close to her; the red patches on her face came and went, and it was
plain that she understood nothing and was so frightened that her
fear would prevent her understanding any of her father’s further
explanations, however clear they might be. Whether it was the
teacher’s fault or the pupil’s, this same thing happened every day:
the princess’ eyes grew dim, she could not see and could not hear
anything, but was only conscious of her stern father’s withered face
close to her, of his breath and the smell of him, and could think only
of how to get away quickly to her own room to make out the problem in
peace. The old man was beside himself: moved the chair on which he was
sitting noisily backward and forward, made efforts to control himself
and not become vehement, but almost always did become vehement, scolded,
and sometimes flung the exercise book away.
The princess gave a wrong answer.
"Well now, isn’t she a fool!" shouted the prince, pushing the book
aside and turning sharply away; but rising immediately, he paced up and
down, lightly touched his daughter’s hair and sat down again.
He drew up his chair, and continued to explain.
"This won’t do, Princess; it won’t do," said he, when Princess
Mary, having taken and closed the exercise book with the next day’s
lesson, was about to leave: "Mathematics are most important, madam!
I don’t want to have you like our silly ladies. Get used to it and
you’ll like it," and he patted her cheek. "It will drive all the
nonsense out of your head."
She turned to go, but he stopped her with a gesture and took an uncut
book from the high desk.
"Here is some sort of Key to the Mysteries that your Heloïse has
sent you. Religious! I don’t interfere with anyone’s belief... I
have looked at it. Take it. Well, now go. Go."
He patted her on the shoulder and himself closed the door after her.
Princess Mary went back to her room with the sad, scared expression that
rarely left her and which made her plain, sickly face yet plainer. She
sat down at her writing table, on which stood miniature portraits and
which was littered with books and papers. The princess was as untidy as
her father was tidy. She put down the geometry book and eagerly broke
the seal of her letter. It was from her most intimate friend from
childhood; that same Julie Karagina who had been at the Rostovs’
name-day party.
Julie wrote in French:
Dear and precious Friend, How terrible and frightful a thing is
separation! Though I tell myself that half my life and half my happiness
are wrapped up in you, and that in spite of the distance separating us
our hearts are united by indissoluble bonds, my heart rebels against
fate and in spite of the pleasures and distractions around me I cannot
overcome a certain secret sorrow that has been in my heart ever since
we parted. Why are we not together as we were last summer, in your big
study, on the blue sofa, the confidential sofa? Why cannot I now, as
three months ago, draw fresh moral strength from your look, so gentle,
calm, and penetrating, a look I loved so well and seem to see before me
as I write?
Having read thus far, Princess Mary sighed and glanced into the mirror
which stood on her right. It reflected a weak, ungraceful figure and
thin face. Her eyes, always sad, now looked with particular hopelessness
at her reflection in the glass. "She flatters me," thought the
princess, turning away and continuing to read. But Julie did not flatter
her friend, the princess’ eyes - large, deep and luminous (it seemed
as if at times there radiated from them shafts of warm light) - were
so beautiful that very often in spite of the plainness of her face
they gave her an attraction more powerful than that of beauty. But the
princess never saw the beautiful expression of her own eyes - the look
they had when she was not thinking of herself. As with everyone, her
face assumed a forced unnatural expression as soon as she looked in a
glass. She went on reading:
All Moscow talks of nothing but war. One of my two brothers is already
abroad, the other is with the Guards, who are starting on their march
to the frontier. Our dear Emperor has left Petersburg and it is thought
intends to expose his precious person to the chances of war. God grant
that the Corsican monster who is destroying the peace of Europe may
be overthrown by the angel whom it has pleased the Almighty, in His
goodness, to give us as sovereign! To say nothing of my brothers, this
war has deprived me of one of the associations nearest my heart. I mean
young Nicholas Rostov, who with his enthusiasm could not bear to remain
inactive and has left the university to join the army. I will confess to
you, dear Mary, that in spite of his extreme youth his departure for
the army was a great grief to me. This young man, of whom I spoke to you
last summer, is so noble-minded and full of that real youthfulness which
one seldom finds nowadays among our old men of twenty and, particularly,
he is so frank and has so much heart. He is so pure and poetic that
my relations with him, transient as they were, have been one of the
sweetest comforts to my poor heart, which has already suffered so much.
Someday I will tell you about our parting and all that was said then.
That is still too fresh. Ah, dear friend, you are happy not to know
these poignant joys and sorrows. You are fortunate, for the latter are
generally the stronger! I know very well that Count Nicholas is too
young ever to be more to me than a friend, but this sweet friendship,
this poetic and pure intimacy, were what my heart needed. But enough of
this! The chief news, about which all Moscow gossips, is the death of
old Count Bezukhov, and his inheritance. Fancy! The three princesses
have received very little, Prince Vasili nothing, and it is Monsieur
Pierre who has inherited all the property and has besides been
recognized as legitimate; so that he is now Count Bezukhov and
possessor of the finest fortune in Russia. It is rumored that Prince
Vasili played a very despicable part in this affair and that he
returned to Petersburg quite crestfallen.
I confess I understand very little about all these matters of wills and
inheritance; but I do know that since this young man, whom we all used
to know as plain Monsieur Pierre, has become Count Bezukhov and the
owner of one of the largest fortunes in Russia, I am much amused to
watch the change in the tone and manners of the mammas burdened by
marriageable daughters, and of the young ladies themselves, toward
him, though, between you and me, he always seemed to me a poor sort
of fellow. As for the past two years people have amused themselves
by finding husbands for me (most of whom I don’t even know), the
matchmaking chronicles of Moscow now speak of me as the future Countess
Bezukhova. But you will understand that I have no desire for the post.
À propos of marriages: do you know that a while ago that universal
auntie Anna Mikhaylovna told me, under the seal of strict secrecy, of
a plan of marriage for you. It is neither more nor less than with Prince
Vasili’s son Anatole, whom they wish to reform by marrying him to
someone rich and distinguee, and it is on you that his relations’
choice has fallen. I don’t know what you will think of it, but
I consider it my duty to let you know of it. He is said to be very
handsome and a terrible scapegrace. That is all I have been able to find
out about him.
But enough of gossip. I am at the end of my second sheet of paper, and
Mamma has sent for me to go and dine at the Apraksins’. Read the
mystical book I am sending you; it has an enormous success here. Though
there are things in it difficult for the feeble human mind to grasp, it
is an admirable book which calms and elevates the soul. Adieu! Give
my respects to monsieur your father and my compliments to Mademoiselle
Bourienne. I embrace you as I love you.
JULIE
P.S. Let me have news of your brother and his charming little wife.
The princess pondered awhile with a thoughtful smile and her luminous
eyes lit up so that her face was entirely transformed. Then she suddenly
rose and with her heavy tread went up to the table. She took a sheet of
paper and her hand moved rapidly over it. This is the reply she wrote,
also in French:
Dear and precious Friend, Your letter of the 13th has given me great
delight. So you still love me, my romantic Julie? Separation, of which
you say so much that is bad, does not seem to have had its usual effect
on you. You complain of our separation. What then should I say, if I
dared complain, I who am deprived of all who are dear to me? Ah, if
we had not religion to console us life would be very sad. Why do you
suppose that I should look severely on your affection for that young
man? On such matters I am only severe with myself. I understand such
feelings in others, and if never having felt them I cannot approve of
them, neither do I condemn them. Only it seems to me that Christian
love, love of one’s neighbor, love of one’s enemy, is worthier,
sweeter, and better than the feelings which the beautiful eyes of a
young man can inspire in a romantic and loving young girl like yourself.
The news of Count Bezukhov’s death reached us before your letter
and my father was much affected by it. He says the count was the last
representative but one of the great century, and that it is his own
turn now, but that he will do all he can to let his turn come as late as
possible. God preserve us from that terrible misfortune!
I cannot agree with you about Pierre, whom I knew as a child. He always
seemed to me to have an excellent heart, and that is the quality I value
most in people. As to his inheritance and the part played by Prince
Vasili, it is very sad for both. Ah, my dear friend, our divine
Saviour’s words, that it is easier for a camel to go through the
eye of a needle than for a rich man to enter the Kingdom of God, are
terribly true. I pity Prince Vasili but am still more sorry for Pierre.
So young, and burdened with such riches - to what temptations he will be
exposed! If I were asked what I desire most on earth, it would be to be
poorer than the poorest beggar. A thousand thanks, dear friend, for the
volume you have sent me and which has such success in Moscow. Yet since
you tell me that among some good things it contains others which our
weak human understanding cannot grasp, it seems to me rather useless to
spend time in reading what is unintelligible and can therefore bear
no fruit. I never could understand the fondness some people have for
confusing their minds by dwelling on mystical books that merely awaken
their doubts and excite their imagination, giving them a bent for
exaggeration quite contrary to Christian simplicity. Let us rather read
the Epistles and Gospels. Let us not seek to penetrate what mysteries
they contain; for how can we, miserable sinners that we are, know the
terrible and holy secrets of Providence while we remain in this flesh
which forms an impenetrable veil between us and the Eternal? Let us
rather confine ourselves to studying those sublime rules which our
divine Saviour has left for our guidance here below. Let us try to
conform to them and follow them, and let us be persuaded that the less
we let our feeble human minds roam, the better we shall please God, who
rejects all knowledge that does not come from Him; and the less we seek
to fathom what He has been pleased to conceal from us, the sooner will
He vouchsafe its revelation to us through His divine Spirit.
My father has not spoken to me of a suitor, but has only told me that he
has received a letter and is expecting a visit from Prince Vasili. In
regard to this project of marriage for me, I will tell you, dear sweet
friend, that I look on marriage as a divine institution to which we must
conform. However painful it may be to me, should the Almighty lay
the duties of wife and mother upon me I shall try to perform them as
faithfully as I can, without disquieting myself by examining my feelings
toward him whom He may give me for husband.
I have had a letter from my brother, who announces his speedy arrival
at Bald Hills with his wife. This pleasure will be but a brief one,
however, for he will leave us again to take part in this unhappy war
into which we have been drawn, God knows how or why. Not only where you
are - at the heart of affairs and of the world - is the talk all of
war, even here amid fieldwork and the calm of nature - which townsfolk
consider characteristic of the country - rumors of war are heard
and painfully felt. My father talks of nothing but marches and
countermarches, things of which I understand nothing; and the day
before yesterday during my daily walk through the village I witnessed a
heartrending scene.... It was a convoy of conscripts enrolled from our
people and starting to join the army. You should have seen the state of
the mothers, wives, and children of the men who were going and should
have heard the sobs. It seems as though mankind has forgotten the
laws of its divine Saviour, Who preached love and forgiveness of
injuries - and that men attribute the greatest merit to skill in killing
one another.
Adieu, dear and kind friend; may our divine Saviour and His most Holy
Mother keep you in their holy and all-powerful care!
MARY
"Ah, you are sending off a letter, Princess? I have already dispatched
mine. I have written to my poor mother," said the smiling Mademoiselle
Bourienne rapidly, in her pleasant mellow tones and with guttural r’s.
She brought into Princess Mary’s strenuous, mournful, and gloomy
world a quite different atmosphere, careless, lighthearted, and
self-satisfied.
"Princess, I must warn you," she added, lowering her voice and
evidently listening to herself with pleasure, and speaking with
exaggerated grasseyement, "the prince has been scolding Michael
Ivanovich. He is in a very bad humor, very morose. Be prepared."
"Ah, dear friend," replied Princess Mary, "I have asked you never
to warn me of the humor my father is in. I do not allow myself to judge
him and would not have others do so."
The princess glanced at her watch and, seeing that she was five minutes
late in starting her practice on the clavichord, went into the sitting
room with a look of alarm. Between twelve and two o’clock, as the
day was mapped out, the prince rested and the princess played the
clavichord.
CHAPTER XXVI
The gray-haired valet was sitting drowsily listening to the snoring of
the prince, who was in his large study. From the far side of the house
through the closed doors came the sound of difficult passages - twenty
times repeated - of a sonata by Dussek.
Just then a closed carriage and another with a hood drove up to the
porch. Prince Andrew got out of the carriage, helped his little wife to
alight, and let her pass into the house before him. Old Tikhon, wearing
a wig, put his head out of the door of the antechamber, reported in
a whisper that the prince was sleeping, and hastily closed the door.
Tikhon knew that neither the son’s arrival nor any other unusual
event must be allowed to disturb the appointed order of the day. Prince
Andrew apparently knew this as well as Tikhon; he looked at his watch
as if to ascertain whether his father’s habits had changed since he
was at home last, and, having assured himself that they had not, he
turned to his wife.
"He will get up in twenty minutes. Let us go across to Mary’s
room," he said.
The little princess had grown stouter during this time, but her eyes
and her short, downy, smiling lip lifted when she began to speak just as
merrily and prettily as ever.
"Why, this is a palace!" she said to her husband, looking around
with the expression with which people compliment their host at a ball.
"Let’s come, quick, quick!" And with a glance round, she smiled at
Tikhon, at her husband, and at the footman who accompanied them.
"Is that Mary practicing? Let’s go quietly and take her by
surprise."
Prince Andrew followed her with a courteous but sad expression.
"You’ve grown older, Tikhon," he said in passing to the old man,
who kissed his hand.
Before they reached the room from which the sounds of the clavichord
came, the pretty, fair-haired Frenchwoman, Mademoiselle Bourienne,
rushed out apparently beside herself with delight.
"Ah! what joy for the princess!" exclaimed she: "At last! I must
let her know."
"No, no, please not... You are Mademoiselle Bourienne," said
the little princess, kissing her. "I know you already through my
sister-in-law’s friendship for you. She was not expecting us?"
They went up to the door of the sitting room from which came the sound
of the oft-repeated passage of the sonata. Prince Andrew stopped and
made a grimace, as if expecting something unpleasant.
The little princess entered the room. The passage broke off in the
middle, a cry was heard, then Princess Mary’s heavy tread and the
sound of kissing. When Prince Andrew went in the two princesses, who
had only met once before for a short time at his wedding, were in
each other’s arms warmly pressing their lips to whatever place they
happened to touch. Mademoiselle Bourienne stood near them pressing her
hand to her heart, with a beatific smile and obviously equally ready to
cry or to laugh. Prince Andrew shrugged his shoulders and frowned, as
lovers of music do when they hear a false note. The two women let go
of one another, and then, as if afraid of being too late, seized each
other’s hands, kissing them and pulling them away, and again began
kissing each other on the face, and then to Prince Andrew’s surprise
both began to cry and kissed again. Mademoiselle Bourienne also began to
cry. Prince Andrew evidently felt ill at ease, but to the two women
it seemed quite natural that they should cry, and apparently it never
entered their heads that it could have been otherwise at this meeting.
"Ah! my dear!... Ah! Mary!..." they suddenly exclaimed, and then
laughed. "I dreamed last night..." - "You were not expecting
us?..." "Ah! Mary, you have got thinner?..." "And you have grown
stouter!..."
"I knew the princess at once," put in Mademoiselle Bourienne.
"And I had no idea!..." exclaimed Princess Mary. "Ah, Andrew, I
did not see you."
Prince Andrew and his sister, hand in hand, kissed one another, and
he told her she was still the same crybaby as ever. Princess Mary had
turned toward her brother, and through her tears the loving, warm,
gentle look of her large luminous eyes, very beautiful at that moment,
rested on Prince Andrew’s face.
The little princess talked incessantly, her short, downy upper lip
continually and rapidly touching her rosy nether lip when necessary
and drawing up again next moment when her face broke into a smile of
glittering teeth and sparkling eyes. She told of an accident they had
had on the Spasski Hill which might have been serious for her in her
condition, and immediately after that informed them that she had left
all her clothes in Petersburg and that heaven knew what she would have
to dress in here; and that Andrew had quite changed, and that Kitty
Odyntsova had married an old man, and that there was a suitor for Mary,
a real one, but that they would talk of that later. Princess Mary was
still looking silently at her brother and her beautiful eyes were full
of love and sadness. It was plain that she was following a train of
thought independent of her sister-in-law’s words. In the midst of a
description of the last Petersburg fete she addressed her brother:
"So you are really going to the war, Andrew?" she said sighing.
Lise sighed too.
"Yes, and even tomorrow," replied her brother.
"He is leaving me here, God knows why, when he might have had
promotion..."
Princess Mary did not listen to the end, but continuing her train of
thought turned to her sister-in-law with a tender glance at her figure.
"Is it certain?" she said.
The face of the little princess changed. She sighed and said: "Yes,
quite certain. Ah! it is very dreadful..."
Her lip descended. She brought her face close to her sister-in-law’s
and unexpectedly again began to cry.
"She needs rest," said Prince Andrew with a frown. "Don’t you,
Lise? Take her to your room and I’ll go to Father. How is he? Just the
same?"
"Yes, just the same. Though I don’t know what your opinion will
be," answered the princess joyfully.
"And are the hours the same? And the walks in the avenues? And the
lathe?" asked Prince Andrew with a scarcely perceptible smile which
showed that, in spite of all his love and respect for his father, he was
aware of his weaknesses.
"The hours are the same, and the lathe, and also the mathematics and
my geometry lessons," said Princess Mary gleefully, as if her lessons
in geometry were among the greatest delights of her life.
When the twenty minutes had elapsed and the time had come for the old
prince to get up, Tikhon came to call the young prince to his father.
The old man made a departure from his usual routine in honor of his
son’s arrival: he gave orders to admit him to his apartments while
he dressed for dinner. The old prince always dressed in old-fashioned
style, wearing an antique coat and powdered hair; and when Prince Andrew
entered his father’s dressing room (not with the contemptuous look and
manner he wore in drawing rooms, but with the animated face with which
he talked to Pierre), the old man was sitting on a large leather-covered
chair, wrapped in a powdering mantle, entrusting his head to Tikhon.
"Ah! here’s the warrior! Wants to vanquish Buonaparte?" said the
old man, shaking his powdered head as much as the tail, which Tikhon
was holding fast to plait, would allow.
"You at least must tackle him properly, or else if he goes on like
this he’ll soon have us, too, for his subjects! How are you?" And he
held out his cheek.
The old man was in a good temper after his nap before dinner. (He
used to say that a nap "after dinner was silver - before dinner,
golden.") He cast happy, sidelong glances at his son from under his
thick, bushy eyebrows. Prince Andrew went up and kissed his father on
the spot indicated to him. He made no reply on his father’s favorite
topic - making fun of the military men of the day, and more particularly
of Bonaparte.
"Yes, Father, I have come to you and brought my wife who is
pregnant," said Prince Andrew, following every movement of his
father’s face with an eager and respectful look. "How is your
health?"
"Only fools and rakes fall ill, my boy. You know me: I am busy from
morning till night and abstemious, so of course I am well."
"Thank God," said his son smiling.
"God has nothing to do with it! Well, go on," he continued,
returning to his hobby; "tell me how the Germans have taught you to
fight Bonaparte by this new science you call ‘strategy.’"
Prince Andrew smiled.
"Give me time to collect my wits, Father," said he, with a smile
that showed that his father’s foibles did not prevent his son from
loving and honoring him. "Why, I have not yet had time to settle
down!"
"Nonsense, nonsense!" cried the old man, shaking his pigtail to
see whether it was firmly plaited, and grasping his by the hand. "The
house for your wife is ready. Princess Mary will take her there and
show her over, and they’ll talk nineteen to the dozen. That’s
their woman’s way! I am glad to have her. Sit down and talk. About
Mikhelson’s army I understand - Tolstoy ‘s too... a simultaneous
expedition.... But what’s the southern army to do? Prussia is
neutral... I know that. What about Austria?" said he, rising from his
chair and pacing up and down the room followed by Tikhon, who ran after
him, handing him different articles of clothing. "What of Sweden? How
will they cross Pomerania?"
Prince Andrew, seeing that his father insisted, began - at first
reluctantly, but gradually with more and more animation, and from habit
changing unconsciously from Russian to French as he went on - to explain
the plan of operation for the coming campaign. He explained how an army,
ninety thousand strong, was to threaten Prussia so as to bring her out
of her neutrality and draw her into the war; how part of that army was
to join some Swedish forces at Stralsund; how two hundred and twenty
thousand Austrians, with a hundred thousand Russians, were to operate in
Italy and on the Rhine; how fifty thousand Russians and as many English
were to land at Naples, and how a total force of five hundred thousand
men was to attack the French from different sides. The old prince did
not evince the least interest during this explanation, but as if he were
not listening to it continued to dress while walking about, and three
times unexpectedly interrupted. Once he stopped it by shouting: "The
white one, the white one!"
This meant that Tikhon was not handing him the waistcoat he wanted.
Another time he interrupted, saying:
"And will she soon be confined?" and shaking his head reproachfully
said: "That’s bad! Go on, go on."
The third interruption came when Prince Andrew was finishing his
description. The old man began to sing, in the cracked voice of old age:
"Malbrook s’en va-t-en guerre. Dieu sait quand reviendra." *
* "Marlborough is going to the wars; God knows when he’ll
return."
His son only smiled.
"I don’t say it’s a plan I approve of," said the son; "I am
only telling you what it is. Napoleon has also formed his plan by now,
not worse than this one."
"Well, you’ve told me nothing new," and the old man repeated,
meditatively and rapidly:
"Dieu sait quand reviendra. Go to the dining room."
CHAPTER XXVII
At the appointed hour the prince, powdered and shaven, entered the
dining room where his daughter-in-law, Princess Mary, and Mademoiselle
Bourienne were already awaiting him together with his architect, who by
a strange caprice of his employer’s was admitted to table though the
position of that insignificant individual was such as could certainly
not have caused him to expect that honor. The prince, who generally kept
very strictly to social distinctions and rarely admitted even important
government officials to his table, had unexpectedly selected Michael
Ivanovich (who always went into a corner to blow his nose on his
checked handkerchief) to illustrate the theory that all men are equals,
and had more than once impressed on his daughter that Michael Ivanovich
was "not a whit worse than you or I." At dinner the prince usually
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